Broken Minds and Shattered Bodies: Re-mapping the British Society in Hilary Mantel’s Every Day is Mother’s Day and Wolf Hall
Keywords:
British History, Tudor Dynasty, English Reformation, Hypocrisy, Relationships, Introvert Nature of People, Modern Impact, Depiction of British Society, Historical Fiction.Abstract
Hilary Mantel, a well-established British novelist, needs no introduction as her fame rests not only on the basis of the volumes of works she has published but also on the basis of awards and honours she has received due to her prominent works. The present research paper seeks to explore some hidden aspects of the British society and the hollowness of the relationships. She has taken the themes how even the family members do not show the ultimate devotion, keenness and loyalty to one another. There is no comfort even in the royal court. She has depicted the Tudor dynasty in her novel Wolf Hall. This novel has won the Booker Prize in 2009 and after that its sequel Bring up the Bodies has also won the same prize in 2012. Mantel is known as a historical novelist and present paper encompasses such recurring themes and motifs in her select novels. In this paper two novels Every Day is Mother’s Day and Wolf Hall have been taken for analysis from the critical camera. The theories ‘Simulacra’ and ‘Hyperreality’ coined by Jean Baudrillard also have been applied on Hilary Mantel’snovels.
Downloads
References
Arias, Rosario. 1998. "An Interview with Hilary Mantel." Atlantis 20 (2): 227-289.
http://www.jstor.org/stable/41055527. Accessed May 3, 2014.
Baudrillard, Jean. “The Precession of Simulacra” (1981), in Simulacra and Simulation, trans. Sheila Faria, Glaser. Ann Arbor, MI: 304 University of Michigan Press. (ed.) Bran Nicol. Postmodernism and the Contemporary Novel: A Reader. Edinburgh University Press, 1994.
---. Simulations. (trans.) Paul Foss, Paul Patton and Phillip Beitchman. Semiotext(e), New York: 1983.
---. Symbolic Exchange and Death. (ed.) Literary Theory: An Anthology. Revised Edition. (ed.) Julie Rivkin and Michael Ryan. Blackwell Publishers, 1998.
---. System of Objects. Trans. James Benedict. London and New York: Verso, 1996.
Deokar, Hemant Ramesh and S.D. Sindhkjhedkar. “Hilary Mantel: An Experimental Novelist.”
Interlink Research Analysis. vol. 4 no. 9, Jan-June 2014. pp. 13-16.
---. “Thematic Panorama in the Novels of Hilary Mantel.”Interlink Research Analysis. vol. 4 no.
9, Jan-June 2014. pp. 15-18.
Hoeschen, Jessica Lynn. “The English Reformation in Image and Print: Cultural Continuity, Disruption, and Communications in Tudor Art.” Department of History, College of Arts and Humanities, the University of Central Florida, Spring Term 2010.
Mantel, Hilary. “Making it New”.A Talk to Hilary Mantel by Sarah O’Reilly.About the Author, Wolf Hall.Fourth Estate, 2010.
Mantel, Hilary. An Experiment in Love. London: Fourth Estate, 2010.
---. Bring Up the Bodies. Fourth Estate, 2012.
---. Every Day is Mother’s Day. Harper Collins Publishers, 2013.
---. Wolf Hall. Fourth Estate, 2010.
Mukul, Manasvinee. “Inhabiting the Minds of the Dead: An Overview of Hilary Mantel’s Wolf Hall and Bring up the Bodies.” The Criterion: An International Journal in English. vol.8, no. 4, August 2017. pp.443-49.
Downloads
Published
How to Cite
Issue
Section
License
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.