Development of Portrait of Uzbekistan During the Early 20thCentury

Authors

  • Bakhrom Kultashev
  • Sevara Sadikova
  • Nigorakhon Kultasheva

Keywords:

painting of Central Asia, portrait, avant-garde of Uzbekistan, art of 20th century, formation of impressionism in painting of Uzbekistan.

Abstract

The given article examines one of the insufficiently explored problems of art history of Uzbekistan – The formation of a genre system in local painting at the beginning of the 20th century through the example of portrait. Authors investigate such aspects as formation, specificity of themes and traditions, the historical and cultural situation, nature of artistic processes, its main tendencies as well as the role and influence of cultural traditions.

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References

Akhmedova N. (2004). Painting of Central Asia of the XX century: traditions, originality, dialogue. Tashkent, 224 p.

Chepelev V. (1935). Art of Soviet Uzbekistan. Leningrad, Ed. Leningrad region

Union of Artists,127 p.

Zemskaya M.I. (1976).Alexander Volkov. Master of "Pomegranate teahouse".Moscow, Publishing House Art, 140 p.

Akhmedova N. (2014).Ural Tansikbaev in the mirror of time. San'at.(4): 13-15.

Singer L.S. (1986).Essays on the theory and history of portrait. Moscow. Publishing HouseArt. 328 p.

Morris Ch. (1865).Just to paint a man is political. Daily Worker.

Apchinskaya N.V. (2000).The search for synthesis. The creativity of A.N. Volkov from the mid-1910s to 1924. Scientific reports of the State Museum of the East (Moscow). Collection. Issue 23. Moscow. 70 p.

Lotman Yu.M. (2004).Culture and explosion. Semiosphere. SPb.: Art-SPb., 272 p.

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Published

2021-04-30

How to Cite

Kultashev, B. ., Sadikova, S. ., & Kultasheva, N. . (2021). Development of Portrait of Uzbekistan During the Early 20thCentury. The Journal of Contemporary Issues in Business and Government, 27(2), 2040–2053. Retrieved from https://cibgp.com/au/index.php/1323-6903/article/view/1111